Tag: Movies

  • Scene #2: Maz Kanata gives Chewbacca a medal

    Scene #2: Maz Kanata gives Chewbacca a medal

    Part 2 of 43 Individual Scenes from ‘Rise of Skywalker’

    Demonstrating the power of this fully armed and operational randomiser, we are thrown from the start of the film to the very end. It’s a good scene to get out of the way here though, because it’s entirely disposable but it gives us an introduction to near every major character appearing in this film: Poe, Finn, Rey, Chewie, C3P0, BB-8, the nerd, the slug, fan favourite returning champion Maz Kanata, someone named Jannah, Zam Wesell Zori Bliss, miscellaneous other droids, and of course Lando Calrissian himself: the great Billy Dee Williams. Collectively they are team ‘good guy’ and they’ll be operating out of this forest-jungle positioned at the exact midpoint of Yavin and Endor for most of the film.

    Something the film never quite manages to convey properly as an image is that they’re working in and around the good old Tantive-IV of A New Hope fame. Because the Tantive-IV is not particularly notable in its details, owing to how it was created by ILM as a kitbash model, there’s no real moment of recognition from seeing odd corners of it. Rather than a recognisable (if slightly aged) point of reference, it ends up working more like the generic sets TV shows used to use in studios; like they’re moving around four or five large white boxes to give the impression of a larger space. Plot-wise, it contributes to the sense that this is a Resistance that is working out of a suitcase, but really it’s the entire film production – some of the toughest material in the film will be set here, in among these anonymous fronds where all the actors listed above will be rattling off lines at an unruly pace as they attempt to keep the plot coherent scene-to-scene.

    As a parallel to the celebration ending of Return of the Jedi this is oddly curtailed, a whistle-stop tour of all our favourites being just about happy. John Boyega is a great actor, but he is tasked with delivering a superhuman number of slightly ambivalent smiles here. Still, Poe and Finn get to share a platonic, non-suggestive reunion. Which is nice.

    Fan favourite character Maz Kanata, who is one of several characters who are going to be doing a lot of odd proxy behaviour for an absent Leia, gives Chewie a medal. It’s an odd acoutrement for a character who doesn’t wear clothes. Perhaps he can put it on the wall of his parents’ house.

    Much like the extended universe novels, Rise of Skywalker knows there’s one decision that will improve any situation and that’s to hit the “Also, Lando’s there” button, so he makes his first (non-chronological) appearance right here, sharing a curiously loaded scene with Naomi Ackie’s Jannah, a new character for this film of whom I know nothing. Fortunately I can simply turn to Google to find out what’s going on here:

    Phew.

    Lando count: 1

    Next: Kylo calls Rey on the force telephone

  • Scene #1: Sheev explains the plot of the film

    Scene #1: Sheev explains the plot of the film

    Part 1 of 43 Individual Scenes from ‘Rise of Skywalker’

    Absolutely impeccable way to open this or any film. Straight in, no messing around, Big Sheev himself going full ham and chewing his way through the classic Lucas line “The dark side of the Force is a pathway to many abilities some consider to be unnatural” as Kylo Ren stalks his way through a set that might belong better in some forgotten Alien sequel, were it not for the giant jar of Snokes – an economy in storytelling that will be needed, given it’s the most in-depth explanation we ultimately get for this place and the horde of hooded underlings who run it.

    Palpatine really lays out the entire plot here, which again is fantastic to be arriving at as the first encounter with the movie. I couldn’t have asked for a better opening scene, and as well it even looks great: murky and uneasy with a proper jump scare as we see Palpatine’s face for the first time, before Kylo Ren swings his crossbar lightsaber up to strike the old man down. Alas he cannot, for Sheev’s whispered entreaties have snared his pride and (we think) he has truly become a second Vader, kneeling before the dark master.

    What clicks at this point, and it’s something I think holds true through the rest of the film, is that this isn’t really a sequel to The Last Jedi. It’s not a film that continues that story in any way, shape or form. This is, firstly and solely, a sequel to the Palpatine Fortnite event. We aren’t expected to be surprised that Palpatine is back in action. We are expected to be surprised that he looks like a corpse as flashes of lightning (turn off that strobe, underling!) repeatedly highlight the deep lines in his rotten old face. The narrative is grown entirely out of the “message to the universe” of Palpatine’s return, and the question of (just to pick one) who or what Snoke was trying to do in those previous films isn’t getting any more attention from hereon in.

    Palpatine throws up his hands and from the very earth a giant fleet bursts forth in a wildly out-of-scale take on the classic living dead moment. This is not a film that is made to make sense. We’re in the world of dreams and images, and Sheev’s blind cataract eyes glimmer as he offers Kylo Ren the force of his “Final Order”, a pun delivered with no ceremony at all. I only hope the film stays this good.

    We’re going to need one hell of a Skywalker to sort this mess out.

    Next: Maz Kanata gives Chewbacca a Medal

  • 43 Individual Scenes from ‘Rise of Skywalker’

    43 Individual Scenes from ‘Rise of Skywalker’

    Introduction

    At last the work of generations is complete. The great error is corrected. The day of victory is at hand. The day of revenge. The day of the Sith!

    • Emperor Palpatine [Fortnite, 2019]

    At the end of 2019 I faced one fateful choice about the path my movie-watching would take for the next six years. Obviously, I chose to go see CATS. The rest is history.

    Despite being the anointed finale to all of Star Wars, Rise of Skywalker just didn’t hold any appeal for me, having only begrudgingly and belatedly caught up with The Force Awakens and The Last Jedi well after the dust had settled on those two films. At root, I just wasn’t that interested in seeing the story of Star Wars continued by anyone other than George Lucas, and that had been taken off the table in 2012. So I just didn’t bother. And nothing I’ve heard since about Rise of Skywalker suggested to me that I was wrong. That it’s a mess, that it’s incoherent, that it throws out everything from the previous movie, and so on. That it’s so bad that it poisoned the entire sequel trilogy, to such an extent that Disney don’t even seem to be able to operate the great beast any more: the only Star Wars movie since has been notable non-sequel era effort The Mandolorian and Grogu, and that flopped anyway.

    But over time, hearing this universally negative response starts to form its own attraction – and I’m no stranger to finding love for big franchise movies that get torpedoed by executive interference. Suicide Squad being my white whale, there’s something really fun about trying to reassemble the jigsaw on one of these films that’s obviously come out of the oven not-quite-right. It was inevitable that I was going to watch Rise of Skywalker at some point.

    I’m also interested, when I’m writing at least, in the Big Concept. My Suicide Squad essay was built out of a succession of smaller essays that failed to cohere by themselves. I previously looked at the first season of Invincible – a show built around a last-minute twist – starting at the end and working back. Back in 2023, coming away from watching the Obi-wan show and contrasting it with The Phantom Menace, I had the big idea for looking at Rise of Skywalker: what if the film, which many people are happy to describe as being made of events happening almost at random, was literally assembled in a random order?

    Video games provide a concept here: the ‘randomiser’, a user-made modification that shuffles some aspect of gameplay to provide a unique challenge. Why couldn’t a movie have a randomiser? A day or so of effort later, the Rise of Skywalker Randomiser was complete. Using scene select timestamps, a script skips between scenes of the movie in a predetermined random order. Rise of Skywalker, rather than merely figuratively having no connection between one scene and the next, really could have scenes occur in a random order.

    And then I just never did it. The moment didn’t strike me. I held off on seizing my destiny. Until now! Three years later, I have finally watched Rise of Skywalker in fully random order. And I want to assess it in a format appropriate to the viewing, an essay on each individual scene in the random order which I came to it, for a total of 43 short essays on Rise of Skywalker as well as this introduction and a conclusion post.

    It’s going to be fun.

    Next: Sheev Explains the Plot

  • 2025 review of films

    2025 review of films

    Let’s get it out of the way up front: this has been a terrible year for my movie-watching. The baby, alluded to in my 2024 review of films, proved more and more adept at keeping me from carving out cinema visits as she grew steadily larger (within the prediction of the standardised curves which govern such things). I had a very brief patch of catching up with some Oscar nominees back in February, and since then it has been the slimmest of pickings with seven full calendar months in the year passing by without a single movie in them.

    To match this, in a stunning piece of visual metaphor the physical, real world cinema I visit caught fire this year. It was ultimately fine, with only mild water damage that has since been repaired, but talk about a bad omen. The only film I managed to see there over the course of the year was James Gunn’s Superman (of which more later) which I was obliged to see both as a terminal DC super-fan and as a connoisseur of Dog Movies. I’m hoping to make it over there for Avatar: Fire and Ash before the end of the year, which will mean having to edit this list. A similar story with Netflix’s new Knives Out: Wake Up Dead Man. (update: I made time for both!)

    I’m not going to make any kind of limitation on what gets in here: if I watched it for the first time this year, it’s going in the list.


    12. Carry-On

    Look I’ll be very honest: I don’t remember this. I had a three-month-old and this was a shit film streaming at Christmas. Die Hard 2 by way of Phone Booth? Or something? I remember the climax hinging on a contrivance about permissible cabin bag sizes, which is great commitment to the part if nothing else. Michael Bluth was in it?

    11. Superman

    I was amiable enough to this in the cinema, I slated it in review at the time, and now I hold it in contempt. Pablum and shlock, dream bigger. Dream bigger!

    That thing looks so cozy. Monks knew how to live.

    10. [This space intentionally left blank.]

    I didn’t see a tenth best film this year.

    9. The Name of the Rose

    Starring Sean Connery and Christian Slater as the only two clean men in Christendom. An enjoyable convention of grotesques in an adaptation that I felt kinda missed the point the book was making by throwing an epic rationalist in among all these superstitious monks: that modernity is an evolution of society, not fire handed down to the apes.

    8. F1

    The two things a Formula 1 team has never tried: cheating and hiring a superfluous American. Looks great though and brings a bit of that race-day magic to the screen, even if glossing over qualifying should be a capital crime.

    7. Wake Up Dead Man

    Rian Johnson does atheist G.K. Chesterton pretty well. Daniel Craig is having the time of his silly life. Like the second one, it’s somehow less than the sum of its parts, but this time some of the parts are pretty great.

    6. Anora

    This was a fun watch, bags of charisma and lots of sympathy for its characters. With hindsight I’m not too sure what it was trying to say, beyond the enjoyable yarn about a woman who sees her chance, grabs it with both hands and holds on for dear life. I just don’t think I’ll remember it? Best picture? Not sure about that, although thank God Emilia Perez didn’t get it.

    Maybe it’s just that I have infinite sympathy for scenes of baffled tourists standing on train platforms in Europe.

    5. A Real Pain

    Sometimes a film is just a great excuse to hang out with two of your favourite on-screen guys, and Jesse Eisenberg and Kieran Culkin definitely fall into that category. Eisenberg’s wound way too tight, Culkin is chronically oversharing, they’ve gone on holiday to Poland together to remember their dear departed Gran.

    4. Wicked Part One

    I don’t think there have been many successful Hollywood movies split into two parts, and I haven’t seen Part Two yet so maybe Wicked will still fluff it, but I can say that this particular split was made for me, the guy who stood up after Defying Gravity at the Apollo theatre in London circa 2008 and started putting on his coat and hat.

    People moan about the colour palette as a synecdoche for this era of digital colour but eh, it works here. Movie looks great. As I said in my review at the time, it’s fascinating seeing someone do what Disney keep trying and failing to do in recent years and hitting a home run with it.

    3. Avatar: Fire and Ash

    It has only taken sixteen years but James Cameron has convinced me. I’m a Na’vi guy now. I’m true blue. I will watch these until the end of time if he keeps making them. I hope every single one ends with a fistfight between Jake Sully and Quaritch.

    2. Danger: Diabolik

    In a year where I was starved, parched, fully withdrawn from the glory of the movies, I am so glad I managed to pack Danger: Diabolik in. Anarchic glee from the first frame to the last, all centred round the happy, healthy relationship between a man who only leaves the house in full leathers and his beautiful partner who sees things on the news and wants to steal them. Featuring possibly the worst Bond villain trap of all time, a plane with a trap door built in.

    1. The Wolf of Wall Street

    I’ve accidentally been savouring the Scorcese big hitters so this is a genuine first timer for me, and in terms of craft it’s basically flawless. Funny, infuriating, scandelous, every vignette chosen for maximum effect. Three hours float past like a dream as the guy gets it all and… well, doesn’t lose it all. Loses some of it. And that’s just how it went.


    Impressively, I don’t appear to have watched a single film from the docket list at the end of my 2024 review. Whoops!

    If you like my writing and want to read more, you can dissuade yourself of that notion by trying out “Step One: You take an onion”, my one-page party game RPG for making your friends all hate you. Otherwise I continue to review films on Letterboxd.