Tag: Shotaro Ikenami

  • Books 5

    Another plate of books served at the great banquet of reading books:

    Eight Detectives – Alex Pavesi

    Vaguely po-mo succession of detective yarns with a framing story about a reclusive writer of the stories in question. Always a risk with the high concept that the high concept part will fail to be as compelling as the low concept muck that it’s supposed to be above, and that’s the case here – the book is by far at its weakest at the end when it’s all supposed to be coming together. That said, the short stories themselves are compelling and memorable, with great atmosphere.

    A Memory Called Empire – Arkady Martine

    Curiously close in concept to The Traitor Baru Cormorant, even if all the specifics are different. Really enjoyable intrigue and fairly unique depiction of being an enthusiast for a culture that is trying to consume your own. I don’t know if the chauvinism of the Imperial subjects is ever totally convincing – everyone’s very buddy-buddy even when the heat is on. But it’s fun regardless. I haven’t picked the sequel up yet because I’m too worried it will be totally different, which is a slightly ridiculous concern.

    The Letter of Marque – Patrick O’Brien

    The Thirteen-gun Salute – Patrick O’Brien

    The Nutmeg of Consolation – Patrick O’Brien

    These really do form one continual narrative at this point, despite O’Brien paying lip service to catching new readers up at the start of each one, so I’m not going to bother trying to divvy them up for review. That said, it’s a great narrative, with Aubrey and Maturin setting off in a tacitly approved privateer after Aubrey was unfairly struck from the Naval lists. The ensuing string of missions are as good as anything else in the series, with Maturin’s visit to a sadly fictional crater ecosystem a real highlight. Also, O’Brien really hates Australia.

    The Truce at Bakura – Kathy Tyers

    Another entry in my big journal of Star Wars sequels and prequels, this is the book that infamously starts the moment Return of the Jedi ends, by having fan-favourite X-Wing pilot Wedge Antilles trip over his shoelaces and hit his head on an exploding Imperial Droid. Hijinks ensure.

    Tyers has a much looser grip on the Star Wars atmosphere than Zahn did, and the mid-nineties sci-fi pulp mood that you might also see in Doctor Who novels of that era is very much in evidence: Skywalker et al must contend with the threat of a vast empire of oddly sexy dinosaur-men. That’s not very Star Wars, but the constant diplomatic back-and-forth with the newly-minted Imperial remnant, who aren’t entirely convinced that the Emperor is dead, certainly is, and Tyers does a decent job of depicting power struggles in a very febrile situation. Takes a while to hit its stride, but an enjoyable read once it does.

    Samurai Detectives Vol 2 – Shotaro Ikenami

    More of the Samurai Detectives. Sadly less of the austere son character Akiyama Daijiro in this one, with the focus almost entirely on Akiyama Kohei and his Sherlock Holmes-esque network of spies and investigators. It’s still fun, and you can tell the author is loving being fully immersed in the Shogunate era in much the same way O’Brien is for the Napoleonic, but the always-on-top escapades of Kohei start to blur into one another a little bit. I want to see him (or his son) on the ropes a little bit here. Even Holmes has stories like Adventure of the Copper Beeches where he just fucks everything up a bit.

    After Hours At Dooryard Books – Cat Sebastian

    Has the unusual quality of being a story where most if not all of the major events occur off-page before the book has begun – perhaps this is what earns it the epithet ‘cozy’, though there’s rather more referencing of CIA misadventures during the Vietnam War in this one than I was anticipating given the remit. I don’t know how cozy I felt coming away from it, although the characters are very well realised, to the point where when things get a little steamy it almost seems prurient – leave these poor guys alone to it, they deserve some privacy after all that.

    The Great When – Alan Moore

    I do struggle with Moore as a prose writer, the great swamps of description that make him well-suited to comic book writing were very much an obstacle to enjoying Jerusalem a few years back. The Great When is both easier to digest and shorter than that tome, and selfishly I’m more familiar with the streets of London as a setting for psycho-geographic fantasy than I am those of Northampton. Much rueful musing on the nature of Britain’s relationship to the Second World War and the Blitz. Four sequels still to come, apparently, which will hopefully mitigate the feeling you get of seeing an extremely small slice of the larger world Moore is dreaming of here.

    Death Comes for the Archbishop – Willa Cather

    God, this was stunning. Crisp, simple prose belies a sketch of two muddling Priests in nascent New Mexico that is overflowing with compassion, exhilaration at the beauty of the natural world, and yet at the same time a level view of America and the construction thereof, winners and losers and all. A fascinating companion to something like Wolf Hall, historical fiction that is dreaming the characters of these real people, or Wittgenstein’s Nephew, artful and audacious meddling with minor characters of recent history. In the public domain, too.

    Previously:

  • Books 4

    The joke is on you, the reader! I have only read more books since coming off parental leave!

    The Ionian Mission – Patrick O’Brien

    The Master & Commander books are well into a single continuous, roiling narrative at this point. A couple of classic-faire, tense boat-to-boat action scenes where O’Brien excels, and plenty of opportunities for the smiling boat-men of the Royal Navy to do boat-things described at length. There’s a particularly fun sequence where a large rope is tied up so a cannon can be lifted up a hill, which you wouldn’t believe is something that could be described as ‘particularly fun’. The handling of Ottoman politics and the depiction of the Ottomans we meet can be fairly easily described as ‘orientalist’ though, I fear.

    Heir to the Empire – Timothy Zahn

    [Kirk Voice] Zahn!!!

    After my experience with Splinter of the Mind’s Eye last time I was baited into reading the ‘Thrawn Trilogy’, which seem really to be the foundational texts of the Star Wars Expanded Universe. As a one-time reader of 90s Doctor Who novels which were very much happening in the margins of this sort of thing there was a warm familiarity to the slightly askew style of 90s sci-fi writing and Thrawn – the titular Heir – is but one of several fun additions to the Star Wars cast alongside the pleasantly distinct rogue-with-a-heart-of-gold Talon Karde and his first officer Mara Jade, who manages to escape the gravity well of her ridiculous backstory.

    Treason’s Harbour – Patrick O’Brien

    “It’s treason then.” Wait, wrong series. We’re back with the boats, and despite – as the review quoted on Wikipedia says – this being a book where nothing really happens, it remains a fun read. Maturin is engaged in carting a diving bell around, after his success in the previous book Aubrey is assigned more wildly unsuited political work, and surely one of fiction’s all-time least fired Chekov’s guns takes place as the interpreter assigned to the ship by the secret French agent takes a short bath in the Red Sea.

    Dark Force Rising – Timothy Zahn

    We can’t rule anything out when this book has a Grand Admiral in it. Well, maybe we can. Zahn (who by all accounts was hammering these out at the time) totally misfires and ends up writing the same book again but worse. The parts which do distinguish this one (Leia’s adventure on the planet of honourable assassins) are tedious in the extreme. Even the title gets in on being misconceived, with the ‘Dark Force’ in question being no relation to the mystic, luminous force the setting is primarily concerned with, but instead referring to the nickname for some missing robot starships.

    Samurai Detectives Volume 1 – Shotaro Ikenami

    Bought this primarily on the strength of the cover, as with most books I buy. That’s my motto: strength of the cover. Despite being referred to as a ‘volume’ and being made up of nominal short stories there’s one continuous narrative that shifts back and forth between retired Samurai master Akiyama Kohei and his voluntarily celibate son Akiyama Daijiro. Set in the Edo period, there’s a fantastic realisation of what it would mean to travel and investigate in such a place. If only so much emphasis were not placed on Kohei’s, uh, passionate relationship with a woman forty years his younger.

    The Last Command – Timothy Zahn

    Zahn just about brings it home – not at all sure about the late-in-the-game decision to rework insane clone Jedi Master C’Boath into an Emperor-type (an heir… to the empire?!) just so the climax can be the throne room scene from Return of the Jedi, again, but this time Lando is also there for some reason. One of the problems Zahn has writing these is that his original characters end up being breaths of fresh air in the narrative because they’re not constantly thinking about or referring to the events of the movie trilogy. This means that Mara Jade’s bits are generally the best parts of the books and it’s annoying to have to go back to Luke fondly reminiscing about-

    Hey, nothing ever happened with that remote control Luke found on Dagobah!

    The Far Side of the World – Patrick O’Brien

    Hey, that’s the name of the film! A bit of a patchwork effort, this one, which concludes with the real whiplash of going from the intolerable sequence where Jack and Stephen are taken aboard a Pacific Islander boat which hates the penis to a 10/10 do-over of the climax of Desolation Island, wherein an outnumbered but technologically superior group of stranded Englishmen have to maintain a precarious peace on a desert island they share with a large group of nominally defeated American sailors.

    The Hollow Man – John Dickson Carr

    Bought this based on Daniel Craig flapping the book about on-screen in Wake Up Dead Man. It’s good fun, and Carr’s penchant for having a gaggle of detectives hang around operating in various different styles is distinctive, even if Chesterton-esque author insert Prof. Gideon Fell always takes primacy. Carr also has a strong line in making his witnesses useless or needlessly antagonistic, it’s something of a revelation the contrast to the usually pliable and cooperative characters you wind in murder mysteries – e.g. the killer in The Red Room would always answer questions even if he didn’t like to hear them.

    The Black Spectacles – John Dickson Carr

    I felt this was slightly less effective than The Hollow Man just because it increases the contrivances – in that book the mystery boils down to two bullets and two dead men, where here there’s two dead man, a poison pill, a movie camera, and that’s basically before things have got going. Slightly less enamoured with Fell’s theatrics here too. We get it Mr Fell, you think the killer is eeeeeevil. We know. Despite this, it is a meticulously constructed mystery and I was constantly kept guessing.

    The Reverse of the Medal – Patrick O’Brien

    “And then everyone stood up and clapped [for Jack Aubrey, unfairly placed in the pillory just for trying to do some insider trading].” I will note the bizarre manner in which O’Brien reminds the reader that Wray is a French trader, taking care to do it at the beginning of every book he features in after the decision to rework him from land-based duelling threat to craven Admiralty man. Feels like it would work just fine to have it be a surprise within each book where it’s relevant. Alas.
    I’m going to take a break from Master & Commander books after this one; not because I’m sick of them, but because the ones after this are an eye-watering £6.49 on Kindle. Outrageous.

    Death-watch – John Dickson Carr

    I was wondering why Dickson Carr isn’t more fondly remembered as a writer of murder mysteries; there’s a potential answer in Death-watch, which not only has the proclivity for complexity that was present in Hollow Man and Black Spectacles, but is also staggeringly misogynistic. At one point Fell, in full-on bloviating author stand-in mode, has a digression on why woman can’t be good barristers however intelligent they seem at university. Similar to Black Spectacles, there’s no final collapse of the contrivances here either, so while it’s satisfying how it all unfolds it’s difficult to hold the whole thing in your head to assess it.

    Previously: